Bad experiences are what catch up with people grow and mature from their source selves. Once someone sees that liveness is not the fairytale that it is make out to be, he is able to make sense of the populace around him. In the story The Ones Who Walk Away from Omelas, by Ursula K. LeGuin, the city of Omelas is a Utopia that is not as perfect as it seems from the outside. The city is holding a fry captive for the erect of the community. People come to see the child with their own look as it suffers, and because of the horrid event of coming verbal expression to face with the child their Utopia exists. This story is an eitheregory of the maturing process of lifes journey.
To the youth of Omelas, life before encountering this captive is flawless; Omelas seems in my words identical a city in a fairytale (177). These clean-handed children have never been through an awful experience to make them think otherwise. In the case of the story this would mean perceive the child, or in real life anything forcing a child to become adult. Until then they will act like children, untested and self-centered. ...He never ceases play...his dark eyes wholly rapt in the sweet, thin magic of the tune (178). The quote describes an Omelas child playing his flute.
As an adolescent child he is too twisty in what he is doing to notice everything and everyone else around him. However, the children all greet what is to come of their near future for, They all know [the child] is there, all the people of Omelas (179), even the children who have not yet seen it. If sightedness the child represents maturing then this quote would say that viewers, upon seeing the child, know...
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